![]() If you are reading this on a tablet or smartphone, use the thumbnail further down. It is the profile I use the least but the first results suggest that Adobe has done a good job of faithfully reproducing the colours.įor all the images included in this article: move the mouse over the image to reveal the ACR 8.4 version. The first example is with the standard Fuji profile, also known as Provia. My comments are based on photographs post-processed with Camera Raw 8.4 on a MacBook Pro Retina. Note: Colours can be subjective and can vary depending on the calibration of your computer screen or if you are seeing the images on a tablet or smartphone. Now, it’s finally live!Īdobe hasn’t released the new version of Lightroom yet, so in order to test the new Camera Raw I used Photoshop on its own. The first time I heard about it was during the X-T1 presentation but it was confidential information at the time. They have been developed by Adobe with Fujifilm supervision. This new 8.4 version includes all the film simulation modes (picture profiles) that we can find on Fuji X cameras. It has already been tested but Adobe has made it available to the public for further feedback. Candidate means that the update is not the final version that will be officially released to the public. Why spend money on another one?Ī few days ago, Adobe released a candidate version of the next Camera Raw update. I always use Lightroom not only because I find it very versatile and fast but also because I have an Adobe Creative Cloud subscription, so the software is already included. Personally, I’ve really been looking forward to this update. Unfortunately, Adobe Lightroom and Camera Raw were the last on the list regarding colour accuracy. If you want to work with the raw files and not lose these colours, you have to find a software that can match them as closely as possible. But to completely enjoy them, you need to rely on the OOC JPGs. The colours look different, less digital than any other camera. One of the most interesting benefits when working with Fuji X-Trans cameras is their unique colour palette rendering. A Walk Around the City of Sydney on a Gloomy Wet April’s Day wth an X-Pro2 & Fujinon 50mm f/2.In 2013 I wrote an in-depth article about post-processing the Fuji X100s colours with Adobe Lightroom and many other software programs.An Unfinished Local MacMansion As If In A Classical Painting, Photographed With Our Canon EOS 5D Mark II & A Vintage Lens.Please also consider donating to our favourite charitable cause, Lefty’s Place, via PayPal.Me/leftysplace. If you wish to make a donation to support our work here at Unititled.Net then please do it via PayPal.Me/KarinGottschalk. To provide up-to-date content for you we need to keep our production hardware and software up to date. ![]() Header image concept and design by Carmel D. These film emulation style presets are intended to produce a similar look to the X-Trans in-camera conversion styles for Classic Chrome, Standard/Provia, Soft/Astia, Vivid/Velvia, ProNegStd, ProNegHi, Monochrome, Monochrome+Ye, Monochrome+R, Monochrome+G and Sepia. The Vivid style in particular should show much better results in dark shadows and very bright colors in many cases should show more gradual transition to clipping and better saturation. The color presets for APS-C models have been improved, especially for the extreme ends of the tonal range (dark shadows and bright highlights).
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